
Welcome to VP Land!
In today's edition:
Freepik's collaborative AI workflow canvas
Coca-Cola's AI ad
Affinity launches for free
Adobe MAX roundup

Freepik Launches AI Canvas For Teams

Freepik launched Spaces, a collaborative AI creation platform where teams can build, share, and run node-based workflows on an infinite real-time canvas.
Key Details:
Node-based workflow system - Teams construct reusable workflows by connecting modular nodes that each handle specific tasks: uploading media, writing prompts, generating images or videos with AI, upscaling with Magnific technology, or using an AI assistant to transform ideas.
Real-time collaboration - Multiple users edit the same Space simultaneously with visible colored cursors showing each team member's activity, allowing instant feedback and iteration without switching tools or exporting files.
Professional workflow templates - Ready-made templates target specific media production tasks including ad animation, brand identity creation, 360° product views, UGC video localization, storyboard-to-motion, campaign model swaps, and studio-quality product shots.
Freemium model - Free users can create up to three Spaces and access limited AI tool credits; paid plans unlock more Spaces and generation capacity, with credits consumed per AI-generated asset.
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Coca-Cola Doubles Down on AI-Generated Holiday Spots

Coca-Cola has released its new 2025 holiday ad - and like last year, it was produced with gen AI. The ad was created by Los Angeles-based AI studio Secret Level, featuring the classic Coca-Cola trucks, animated animals, and Santa Claus. But compared to last year, there were some improvements.
Production used even fewer humans - Coca-Cola reduced the team from 50 people last year to just 20 this year, explicitly touting the smaller headcount as progress. Secret Level founder Jason Zada noted the ad required significantly less human involvement than the company's first fully AI-generated 2024 Christmas spot.
Company defends approach despite criticism - Pratik Thakar, Coca-Cola's global VP and head of generative AI, stated: "The genie is out of the bottle, and you're not going to put it back in," while claiming the craftsmanship is "10 times better" than last year. Zada dismissed critics as "the loudest" voices who are "just afraid" for their jobs.
Social media reaction was swift and harsh - Gravity Falls creator Alex Hirsch responded on X: "'The genie is out of the bottle, and you're not going to put it back in'—your boss firing you on Christmas." Multiple commenters criticized the ad's visual quality and the company's apparent pride in reducing creative jobs.
Testing reportedly shows split reception - While Zada claims "average people really enjoyed it" based on internal testing, YouTube comments included reactions like "The best ad I've ever seen for Pepsi," and observers noted characters resembling copyrighted properties from Zootopia and Sing.
This marks Coca-Cola's third consecutive year leaning into AI-generated holiday marketing, following a 2023 co-created AI ad and last year's fully AI-generated spot. The approach positions a $292 billion brand as a test case for whether AI-generated advertising can overcome aesthetic and ethical concerns—or whether the creative industry backlash will eventually force a recalculation.
Canva's Launches Affinity...with a 'Forever Free' Model

Canva has relaunched Affinity, consolidating its graphic, photo, and publishing tools into a unified workspace. And the biggest reveal - they say they're making it free forever.
Key Details:
Single-platform approach - The new platform combines vector, raster, and layout tools into a single ecosystem, aiming to reduce friction across asset creation, editing, and final output.
Collaborative workflows - Built-in support for real-time collaboration and cloud syncing allows team members to work together on projects from anywhere.
Cross-device compatibility - Seamless transitions between desktop and mobile devices maintain project consistency across devices.
Alternative positioning - The launch targets professionals seeking alternatives to subscription-based platforms, building on Affinity's existing user base among creatives looking for advanced capabilities at a lower cost.
This directly challenges Adobe Creative Cloud's dominance in collaborative design workflows, especially as distributed teams increasingly need frictionless design sharing and asset management.

Cinematographer Autumn Durald Arkapaw shares how she shot Ryan Coogler’s Sinners using both IMAX and Ultra Panavision 65mm — the first film to blend the two formats.

Stories, projects, and links that caught our attention from around the web:
🧑💻 Phil Galler joins forces with 180 Studios and a GitHub co-founder to tackle creative asset management
🔀 Figma acquires Weavy to expand AI creative tools with their node-based platform
🤖 Ron Howard's Imagine Entertainment partners with Obsidian, a new AI studio building real-time CGI workflows
⿻ Frame.io unveils semantic search and rebuilt Premiere panel among 100+ updates launched since Version 4

Addy and Joey break down Adobe Max 2025’s biggest AI-powered reveals—from Firefly 5’s improved human generation and Photoshop’s automatic layer segmentation to integrated Topaz upscaling, new relighting tools, 3D ventures, and Frame.io’s media intelligence upgrades.
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