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Inside the URSA Cine Immersive: Blackmagic's Answer to Spatial Video Production

Blackmagic showcased the URSA Cine Immersive camera, designed specifically for Apple Vision Pro content creation with dual 12K sensors capturing 8K per eye at 90fps through a streamlined lens space workflow.

Camera Architecture Details

The system leverages existing URSA technology with significant modifications for immersive capture.

  • Built on the URSA 12K LF platform but utilizes two 12K sensors instead of one

  • Custom fixed-focus, fixed-iris lens system with 180+ degree field of view

  • Maintains full 16 stops of dynamic range at 90fps to meet Apple's Vision Pro specifications

  • Includes built-in ND filters (2, 4, 6, and 8 stops) for exposure control

Lens Space Advantage

This approach maintains image quality while simplifying the post-production process significantly.

  • Footage remains in circular fisheye format throughout editing and color grading

  • Unwrapping happens in the headset rather than during post-production

  • Factory calibration data embeds within the Blackmagic RAW file

  • Eliminates traditional VR production steps like stereo alignment and equirectangular mapping

  • Preserves pixel efficiency by avoiding unnecessary stretching and compression

DaVinci Resolve Integration

The post workflow has been designed for minimal additional steps compared to traditional video.

  • Simple activation through the Pro Immersive Workflow feature

  • Dedicated 3D panel allows toggling between left/right eye views

  • Option to unlink eyes for independent color correction when needed

  • Direct Vision OS export preset on the delivery page

  • Works with Apple Immersive Utility for playback and sideloading

Production Perspective

Blackmagic’s approach represents a shift toward treating immersive content as standard production rather than specialized projects.

  • The camera operates similarly to traditional cameras, with static positioning preferred

  • Limited camera movement recommendations (one or two axes only) for viewer comfort

  • Compatible DIT cart workflow allows simultaneous recording and playback

  • Future updates planned for transitions, titles, power windows and spatial audio

  • Potential applications extend beyond Vision Pro to other platforms and displays

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