FilmLight has launched REMOTE, a comprehensive solution for remote color grading that maintains high-quality, low-latency monitoring essential for efficient workflows. Available as part of Baselight 6.0, REMOTE addresses the growing demand for remote work in post-production while tackling the specific challenges of color correction.
REMOTE integrates FilmLight control surfaces, UI monitors, mouse, and keyboard with professional monitoring over the internet
Supports multiple UI monitors up to 4K using HP Anyware or Amazon DCV
Utilizes SRT video connection for high-quality video streaming (JPEG-XS and H265 supported)
Compatible with Slate, Blackboard Classic, and Blackboard 2 control panels
Enables off-premise hosting of equipment in data centers or the cloud
Supports up to 4 UltraHD video streams, converting them to SDI for existing infrastructure
REMOTE represents a significant step forward in remote post-production workflows, particularly for color grading. By addressing the need for high-quality, low-latency monitoring and seamless integration with existing hardware, FilmLight is enabling professionals to work efficiently from various locations without compromising on quality.
This development aligns with the industry's growing trend towards flexible and distributed work environments in post-production.
Volinga has added 4D Gaussian Splatting support to its Unreal Engine workflow, letting animated splat captures play back in real time inside the engine.
MiniMax detailed H3, a general-purpose omni-modal model that the company says understands text, images, video, and audio in a single system, then generates video with native stereo audio at up to 2K resolution and 15…
Dreamina has launched Seedance 2.5, which it calls a new cinematic video model, in an announcement on X. The company positions the release around native long-form generation and direct plugins for two core 3D applicat…
