Blackmagic showcased the URSA Cine Immersive camera, designed specifically for Apple Vision Pro content creation with dual 12K sensors capturing 8K per eye at 90fps through a streamlined lens space workflow.
The system leverages existing URSA technology with significant modifications for immersive capture.
Built on the URSA 12K LF platform but utilizes two 12K sensors instead of one
Custom fixed-focus, fixed-iris lens system with 180+ degree field of view
Maintains full 16 stops of dynamic range at 90fps to meet Apple's Vision Pro specifications
Includes built-in ND filters (2, 4, 6, and 8 stops) for exposure control
This approach maintains image quality while simplifying the post-production process significantly.
Footage remains in circular fisheye format throughout editing and color grading
Unwrapping happens in the headset rather than during post-production
Factory calibration data embeds within the Blackmagic RAW file
Eliminates traditional VR production steps like stereo alignment and equirectangular mapping
Preserves pixel efficiency by avoiding unnecessary stretching and compression
The post workflow has been designed for minimal additional steps compared to traditional video.
Simple activation through the Pro Immersive Workflow feature
Dedicated 3D panel allows toggling between left/right eye views
Option to unlink eyes for independent color correction when needed
Direct Vision OS export preset on the delivery page
Works with Apple Immersive Utility for playback and sideloading
Blackmagic’s approach represents a shift toward treating immersive content as standard production rather than specialized projects.
The camera operates similarly to traditional cameras, with static positioning preferred
Limited camera movement recommendations (one or two axes only) for viewer comfort
Compatible DIT cart workflow allows simultaneous recording and playback
Future updates planned for transitions, titles, power windows and spatial audio
Potential applications extend beyond Vision Pro to other platforms and displays
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